DC Horror Presents Soul Plumber # 1 From Latest Podcast On Left Is Unhinged & Wild


DC Horror Presents Soul Plumber # 1 is a crazy adventure from the minds behind The Last Podcast on the Left, featuring works by McCrea and Holden.

Sometimes God needs a little help. In DC Horror presents Soul Plumber, that help comes in the form of Edgar, a gas station employee who decides to change his life by becoming a cheap exorcist. Originally announced during the summer, Soul plumber is the first original property of DC Comics’ new horror imprint. Created by Marcus Parks, Henry Zebrowski and Ben Kissel of The last podcast on the left with illustrations by John McCrea and PJ Holden, colors by Mike Spicer and letters by Becca Carey, DC Horror presents Soul Plumber # 1 is a wild action-horror hybrid with a lopsided premise and even crazier characters.

DC Horror presents Soul Plumber # 1 introduces readers to Edgar, a gas station worker who found God in gasoline after being kicked out of seminary. Edgar looks for ways to channel his affinity for God into his daily life, while being surrounded by the unloved and unwanted citizens of Indianapolis. One day, he meets a supposed man of God who runs a business that provides the tools necessary to perform exorcisms. Too broke to pay for the service, Edgar steals the Spirit Plunger’s blueprintMT and built his own. But without any instruction on how to properly perform an exorcism, has Edgar plunged into something he will never escape?

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The last podcast on the left the team of Marcus Parks, Henry Zebrowski and Ben Kissel share the creator’s credit for Soul plumber # 1. Although this is the trio’s first comic book, they show an immediate understanding of the medium and create a unique narrative. Everything in this book is larger than life, from the premise to the characters who guide the story. The series is a scathing satire of those who seek to take advantage of God’s good reputation and the poor souls too stupid to realize they are being manipulated. Edgar is a particularly uncomfortable track, and his misguided devotion to God is fun to read. However, the real show thief is Harvey Positano, the man who scams people with a fake exorcism display. Although he claims he jumps from town to town, it would be nice to see him stick around for future issues.

To contrast the relatively inexperienced writers, Soul plumber # 1 is drawn by veteran artists John McCrea and PJ Holden. McCrea, coming out of a relay on The swamp thing, handles the majority of the problem by outlining the depraved details of Edgar’s world with crude lines. Its art is energetic and expressive, which makes the book feel like a twisted adult cartoon. For its part, 2000 AD veteran Holden matches McCrea’s intensity, which makes Edgar’s last moment of triumph despicable and disgusting. They are two artists who thrive when they are able to channel their imaginations and intentionally make things ugly, and together they create the world of Soul plumber come out.

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In the end, the only way to correctly describe Soul plumber is calling it “unbalanced”. Every facet of this number’s construction is taken to a level that most creators are afraid to approach. The cast feels they would be kicked out The Jerry Springer Show to be too wild. The aesthetics make you want to rub your eyes with soap and the principle is blasphemous in every way imaginable. As such, it certainly won’t be a comic book for everyone. But it is also the charm of Soul plumber because he’s not afraid to offend and provoke in a way rarely seen by mainstream publishers. As DC continues to explore horror, one can’t help but hope for more stories that match the intensity of this book.

Globally, Soul plumber # 1 is an explosive start for the original DC Horror series and the creators of The last podcast on the left. Guided by the veteran hands of McCrea and Holden, it’s a perfectly vile and depraved read that will be perfect for its audience, even if it offends others. With more and more creators embracing horror comics, DC Horror presents Soul Plumber sets the standard for what can be achieved when new voices have a platform to speak.

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